Sunday, February 22, 2009

Sonnet Commentary (Sonnet 55)

Thomas Kendrick
Ms. Peifer
10 IB Hour 5
23 February, 2009

Shakespeare's purpose in Sonnet 55 was to show how poetry, unlike many amazing material objects, is eternal. He uses several metaphorical comparisons and his own self-confident writing style to do so. Shakespeare also reveals his point throughout the poem: The reader has a fairly good idea at the beginning, but the real purpose grows as one reads on, and only at the end is there a moment of mutual understanding between author and reader.  All of these literary features deepen the meaning of the poem, and make it more enjoyable for the reader.
First of all, Shakespeare uses many metaphors comparing, and showing the superiority of, poetry's immortality compared to that of other great objects.  For example, he writes "But you shall shine more bright in these contents than unswept stone besmear'd with sluttish time" (lns. 3-4).  In this comparison, he is noting the fact that, in a thousand years or so from when it was written, his seemingly humble piece of writing would hold its ground, when marble, statues, and other fancy, impressive material objects will have become dust.  This is elaborating on his point of the immortality of poetry, and helps the reader understand it better.
Shakespeare also uses his own self-confident, self-conscious writing style to impress his point upon the reader.  He knows what he is writing is good poetry, and isn't afraid of expressing it.  Quite on the contrary, it adds to his work.  For example, at the end of the poem Shakespeare writes, "So, till the judgement that yourself arise, you live in this, and dwell in lover's eyes" (lns. 13-14).  This statement is saying that, until the day of judgement (probably the biblical "judgement day"/the end of time), this poem will live and be loved.  In this statement, Shakespeare seems very confident in his work: that it will both be loved and survive until the end of time.  However, even though it may be a bit arrogant, this statement does get his point across to the reader.  It says that poetry is so great and eternal that it will last until the end of time.
Throughout Shakespeare's Sonnet 55, the comparisons between his poem and other things grow and grow and grow until the volta, where a final, very strong statement is made.  First, Shakespeare says poetry will outlast statues.  Then he goes and talks about how it can, unlike tons of other things, live through war and chaos.  The last quatrain goes even farther, and says that even in death and the bleakest of all times, this poem will still be praised.  Then comes the volta and the last couplet: Shakespeare's poems will be praised until the end of time.  This show that Shakespeare doesn't make his point and back off; he grows throughout the entire work.  This style also makes it more effective towards the reader.
In Sonnet 55, Shakespeare uses superb, constantly growing comparisons, as well as his own self-confident writing style, to make his point about the immortality of poetry.  These are very effective on the reader, and the poem is a very good piece of writing, overall.

Thursday, January 29, 2009

Skiing

Ever since I was very small, I have been an avid nordic skier.  I can't even remember the first time I tried on skis (I was probably three or four), but in the past couple years the sport has taken over my life, in a way.  Not that I am frustrated or anything, I enjoy every moment, but I have developed a passion for the sport.
After about ten years of skiing with my family, I finally decided to join Central's team in eighth grade.  It was probably one of the better decisions of my life.  I went to the first on-snow practice and discovered that all my previous experience was worth while: I was one of the top five or so athletes.  But my first actual race, a relay, was excruciating.  I was completely overwhelmed by juniors and seniors in high school, who were strong and fast.  Then there was me, who had hardly ran more than a mile at a time before the fall.  Anyways, that race was very motivating, as it opened my eyes to how hard I would have to work and how much improving I really had to do.  So I worked pretty hard the rest of the season, and got about 50th in both conference and sections, the two most important races of the year.
After last year (a disappointing season on many standpoints) I have set my goals high for the upcoming sections race (in which you can punch your ticket to the state championships).  I have worked very rigorously this season, and become a whole lot stronger than before.  I also made the wise choice of running cross country in the fall, for conditioning, and right now I might even be in the best shape of my life.  Over the summer I took a special program for ski training, and it paid off with a 13th place finish in the conference championship race.  Tuesday is the sections race.  This year my chances of going to state are actually realistic, and I have the chance of achieving my ultimate goal.

Monday, December 8, 2008

Beowulf LRJ #2

In the battle with Grendel's mother, some values in Beowulf
that show are those of bravery, or manliness, and also the value
of vengeance. The bravery aspect shows when Beowulf is talking
to Hrothgar. He says: "'Endure your troubles. Bear up and be the 
man I expect you to be'" (Heaney lns. 1495-1496). In this quote,
Beowulf is telling Hrothgar to get his act together, act like a
man, and come with him to hunt down Grendel's mother. This
shows how men are expected to act in the culture they were in.
The urge for vengeance in Beowulf's culture shows when
Hrothgar's friend dies, and he won't rest until his killer is 
avenged. He says,"'Rest? What rest? Sorrow has returned.
Alas for the Danes! Aeschere is dead'"(1322-1323). Later in
his speech, Hrothgar talks about hunting down the monster,
but here the reader is informed of the fact that no one will rest
until Hrothgar's friend is avenged.
In Beowulf, there are also quite a few unrealistic aspects
of the story. For example, when Beowulf kills Grendel's mother
"The sword (which he used) began to wilt into gory icicles, to
slather and thaw" (1605-1607). This quote is completely
unrealistic: a sword can't really just melt after killing a beast,
no matter how villainous. However, descriptions like these are
an important part of Beowulf, because through the over-
exaggeration of these situations the reader feels more emotion
and gets more interested in the story; they act as eye-catchers
sometimes.
One of my favorite quotes so far in Beowulf happens when
the reader is first introduced to Grendel's mother. She is 
described by the following passage: "An avenger lurked and
was still alive, grimly biding time. Grendel's mother, monstrous
hell-bride, brooded on her wrongs"(1257-1259). This is a very
dark quote, but the brilliant diction used, such as "monstrous 
hell-bride" and "brooded on her wrongs," is enough to send
shivers down any reader's spine. This quote certainly isn't 
pleasant, but it contains great language and is a brilliant piece
of writing.

Friday, December 5, 2008

Beowulf LRJ #1

Thomas Kendrick
Ms. Peifer
10 IB Hour 5
5 December, 2008
In Beowulf it is clear that the Danes value certain aspects
of life, such as community and valor. It is shown that 
community is valued at the beginning of the story, with the
building of the mead hall. For example, it is written, "there 
(Hrothgar) would dispense/ his God-given goods to young and
old–/but not the common land or people's life"(Heaney lns. 71-
73). This shows that the Danes value and are excited about what
 is, effectively, a community gathering place. It is shown that valor
is valued when Beowulf arrives. True, they just need someone to
get rid of their problem, but Beowulf is truly valiant, which was
why the people believed in him so much. For example, the coast-
guard says, "'May one so valiant and venturesome/come unharmed
through the clash of battle'" (lns. 299-300). The Danes honestly
believe that Beowulf is the only one with these qualities.
Alliteration is used masterfully in Beowulf in several instances.
For instance, it is written, "(Grendel was) blundering back with the
butchered corpses"(125), to emphasize the brutality of his actions.
Another example of alliteration is, "spears/in a seafarer's stook, a 
stand of greyish/ tapering ash" (328-330). This example is very
helpful in bringing attention to the idea.
Kennings are another literary device put to great use by whoever
wrote Beowulf. For example, he wrote about "a force of shield-
bearers" (1402) when referring to the fifteen or so warriors off to 
fight Grendel. "Shield-bearers" is much more interesting than just 
"men," and adds to the poetic aspect of the story. Another kenning
is used when Grendel is referred to as "that dark death shadow"
(160); a great comparison to the creature that brought certain brutal
 death to whoever he set his eyes on. Kennings are used very well in
 Beowulf, and add a lot to the story.

Wednesday, November 26, 2008

Antigone Paper

Thomas Kendrick
Ms. Peifer
10 IB Hour 5
26 November 2008
Considering the actions he thought up and carried out, it
is clear that Creon is guilty for the deaths of the many people 
close to him. He sentenced Antigone to death, ignored all warnings
of the possible consequences, and was too overconfident in his 
judgement that he hardly even thought about his actions. Creon is
clearly responsible for the tragic events that occurred.
Creon's first mistake was when he decided that killing Antigone
would solve everything. He says it himself: when Antigone asks him 
what he wants besides killing her, Creon responds "Me? Nothing.
With that I have everything" (Sophocles ln. 566). This quote says 
everything: Creon believes that the solution to the whole incident is
sentencing Antigone to death. The very idea is wrong, for Creon 
seemed to completely forget about the potential feelings of others 
close to both him and Antigone.
Creon also showed bad judgement in his response to Haimon's
warning that mabye the death sentence isn't the best idea. For 
example, when Haimon is begging for Antigone's mercy and says,
"Then she'll die–and in her death kill someone else" (859), Creon
mindlessly retorts, "Are you so insolent you threaten me?" (860).
 This is not a very tactful or logical thing for a king to say at all. 
Creon is so confident that his choice is right that he ignores an 
ominous warning, and when his son is begging for him to listen, he
does not listen at all, but retorts a rude comment instead. Finally, 
after Teiresias' even darker prophecy, Creon is finally changes his
 mind. Unfortunately, it was too late.
Creon was definitely responsible for the deaths of those close to 
him. He was not showing good judgement in the first place when 
he sentenced a brave woman to death, even though she was only 
respecting her brother,whom Creon was depriving of sacred 
rituals.  Even when his own son hints at something as terrible as
suicide if Creon doesn't change his mind, Creon was so stubborn 
he returned the request with insults. The result of these actions 
is fitting, in that all the people Creon was close to were so 
horrified by the results of his decrees that they killed themselves.
Therefore, Creon is the guilty one.

Works Cited

Sophocles. "Antigone." Sophocles Antigone. Trans. Ian Johnston.
9 Aug. 2008. Vancouver Island University Malaspira.
26 Nov 2008.
http://records.viu.ca/7%Ejohnstoi/index.htm

Monday, November 24, 2008

LRJ#2 on Antigone

In Antigone, Sophocles uses very vivid imagery to stress
certain ideas in his writing.  For example, when Tereisias is 
speaking to Creon of his vision and the bad things to come, 
he relays his dark omen by saying, "Dark slime poured out the
chambers/oozing from the thighs, which smoked and spat,/
bile was sprayed high up into the air" (Sophocles lns. 1121-1123).
This image creates a crystal clear image in the head of the reader,
as they understand Teirisias' description is an omen of bad things
to come.  Sophocles shows his great command of words in this 
excerpt.
In Antigone, Creon has a very apparent fatal flaw: his 
overconfidence.  For example, after Haimon suggests that the 
execution of Antigone would cause another death, instead of
heading the warning and thinking about the situation, Creon
yells at Haimon. He says, "Are you so insolent you threaten me?"
(ln. 860). this is a very arrogant and rude thing to say to his son,
especially since he is hinting at suicide. The peripeteia of this play
occurs when Eurydice, the last person close to Creon, dies. 
Anagnorisis happens very shortly after, when a messenger burdens
Creon with this unfortunate event.  In response, Creon says, 
"I murdered you. . . I speak the truth./ Servants-hurry and lead me 
off,/get me away from here, for now/what I am in life is nothing" 
(lns. 1319-1322). This line is Creon realizing what he has done: 
caused the death of his family. His self esteem takes a huge plunge, 
as he was king on top of the world and now everyone close to him
is dead.  As the audience witnesses Creon's guilt and self-esteem 
plunge, they can't help but to feel sorry for him. Catharsis occurs.
This catharsis is especially fulfilling for the audience, because 
anagnorisis and peripeteia occur in such short succession.
In Antigone, women are regarded as a possession of the men 
they are close to, and inferior. For example, Creon treats Antigone 
as if she should mindlessly do everything he says. For example, 
Creon states, "Those views of yours-so different from the rest-/
don't they bring you any sense of shame?" (lns. 579-580). This 
quote explains everything. Creon simply believes that Antigone
should not be able to think for herself: that all women should 
think the same way. He seems to be very sexist.

Works Cited

Sophocles. "Antigone." Sophocles Antigone. Trans. Ian Johnston.
9 Aug. 2008. Vancouver Island University Malaspira.
24 Nov. 2008.

Monday, November 17, 2008

Antigone LRJ Assignment

Traitor Polyneices Buried!
Yesterday around noon a group of sentries
in the outreaches of Thebes noticed that some 
unknown culprit had buried the body of the 
well-known traitor Polyneices in a field.
Most everyone has heard of this traitor to
his homeland, who betrayed Thebes, even 
his own brothers. When Polyneices was killed,
king Creon made it a law that no person who
fought against Thebes shall have a burial, even
his own brother. Polyneices' corpse was going 
to be let to rot forever out in the open, until 
yesterday, when a source who wishes to remain
anonymous reported to the king that the body was
found with a small pile of dust on top of it. This 
isn't the traditional burial right of the Greeks, but 
whoever gave Polyneices this haphazard ritual
was clearly rebellious and unwise. The royal
lookouts hope that the culprit who did this burial
will return today, as they will be watching around
the clock. This disgrace to the state of Thebes will
hopefully be resolved by tomorrow.